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I'm actually about 3/4 of the way through this by the time I got around to updating here. It is an incredible book but oh god it needs so many content warnings especially right now.

Obvious general things: gore, violence, intense macabre, supernatural death cult, lots of abuse including sexual, including intra-family, including of children. More specific: a major strand of it is the author wrestling with the trauma of Argentina's era of military dictatorships, and the role of colonialism in them, by way of a supernatural horror story.

One thing it doesn't have, at least so far, is jump scares. The plot unfolds slowly and every new horror revealed is such a clear consequence of or context to what happened before that it's never terribly surprising. Which in itself feels like a stunningly effective allegory for a lot of political horror.

I'm very glad to be reading this, but not sure I can recommend it for right now, especially to people in the US. I am also very much wishing I'd got around to reading it last year.

This was the #SFFBookClub January selection, and I bounced off it kind of hard. Which is particularly sad considering that I'd added it to the shortlist, after it was cited by an article from which other recommendations have been fun. But this one did not work for me, in ways that actively put me off.

I think I'm probably prejudiced against it by the physical book being so poorly printed that it's more work to read. There are no margins, meaning that starts and ends of lines disappear into the centre fold. And even within that it's aligned so poorly that a number of pages have a last line more than half of which is off the page. These are not the reasons I'm bouncing, but they definitely made me less patient.

What put me off the most is a weird imbalance between the book doing a lot of 'splaining in the mouths of its characters--kind of Legend of Zelda style--while at the same time throwing a lot of Bantu (I'm not sure which specific language[s]) vocabulary at the reader without notes or translations - in at least one case, about 1/4 of a page. I have a lot of time for using the languages that cultural references come from, without necessarily translating ( outside.ofa.dog/book/146782/s/david-mogo does this to good atmospheric effect), but it made the over-explaining all the more jarring.

I then learned that the author is white, which bugs me for a story so heavily rooted in Bantu mysticism. He clearly is knowledgeable about the subject, but these aren't his stories to tell, and in this light the over-explaining feels like a white man showing off how cool he is because he knows about the subalterns' culture. I think the "Runes" character (a jumbled Celtic / New Age Druid wizard in Durban) is meant to be self-deprecating, but he's so secondary to the "Bones" character (the Bantu wizard) that I'm still left feeling that the wrong person is telling this story, in ways that are definitely to the book's detriment.

I enjoyed reading most of this book, but as I went on from one story to the next I noticed I was taking longer and longer breaks between the stories. In the end I stopped a couple short of the end just because I was about to head out on a trip and I realised I wasn't finding it compelling enough to bring the physical book with me. I'll probably read them eventually, but I'm not in a hurry so I'm just considering this shelved for now.

The basic premise is that all the stories are pieces of the history of what appears to be one empire which has waxed and waned in size and power over a very long time, possibly millennia. But I'm not quite sure if I have that right, because the stories are generally not connected to each other - I think I caught one ruling dynasty's name getting repeated but that's the only explicit link I've picked up so far. Which I don't necessarily mind in itself--after all I've enjoyed plenty of collections of totally unconnected short stories--but it seems to have constrained the author just enough for the stories to start to feel samey even though they're about clearly different eras and take a variety of narrative points of view.

I noticed somewhere that this book was originally published in Spanish as two separate volumes. I might have enjoyed it more if I'd read one volume and then set it aside for a while as I tend to do with successive instalments of a series. The repetitiveness didn't really start to bother me until some way into the second volume.

#SFFBookClub