Somehow I ended up doing a bunch of pre-20th century group reads lately. Out of all of them, this is by far the book I like the best. Dracula is wonderfully atmospheric but also painfully racist; Moby Dick's best parts are absolutely gorgeous but it could have done with a massive edit, also racism; I got bored of Don Quixote after a while. But this one is wonderfully and tightly written, and I'm reasonably confident that everything obnoxious in it is intentionally so (in short: oh, Victor is so perfectly hateable).
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I'm currently the coordinator of the #SFFBookClub so a lot of what I'm reading is suggestions from there.
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el dang commented on Frankenstein or the Modern Prometheus by Mary Shelley
Content warning First Interlude of Book 5
I continue to be amazed at the nuance of the characters who act within the context of their position in society, making me both feel deep hatred and immense compassion. With the span of a couple chapters, I was goaded into the same bloodlust for Letty as Robin felt (which was not a common reaction for me, violence is not typically my jam), and then was able to nod in understanding through the eyes of Letty in this interlude. Nothing outlined here was new or a surprise, it was just lost in the bigger tapestry, and the more front and center suffering of the other characters. The short interlude brought this so deftly into focus; a reminder that anyone who isn’t on top is fighting tooth in nail in the social dogpile for space to breathe and be seen, to be accepted.
No matter how morally suspect or potentially thoughtless the decision was, she too took action that aligned with her beliefs and convictions. Brutal. #SFFBookClub
el dang replied to screamsbeneath's status
Content warning First Interlude of Book 5
@screamsbeneath@bookwyrm.social One of the few things I wish the book had expanded on is the difference between Letty and Professor Craft. Letty is presented as an understandable villain, in ways that Lovell and Playfair [appropriately] aren't, but I was left wondering if Craft had been like Letty once. Was there a different place Letty might have got to given more time? I'm not sure which is more believable, and I'd love to know which Kuang had in mind.
@Tak@reading.taks.garden @whami@bookwyrm.social That was my favourite of the little barbs in the book.
Historical note: Jardine & Matheson were real people and played very much the same role in real history that they are playing when they show up in this book. Their company, now just "Jardine Matheson", still exists, still has a large footprint in Hong Kong, and did very well out of Britain's abuse of China. If you don't know the history and don't want spoilers then I'd wait until a couple of chapters after they're introduced to look them up. Though I'm also assuming that somewhere after where I've reached, the book must diverge from the real history.
Karl Gützlaff was also a real person whose attitudes seem to be faithfully represented in the book, though I don't know enough about him to know how historically accurate his actions in the book are. #SFFBookClub
@Tak@reading.taks.garden Oh, I like this exercise. And thank you for the reminder of the opening line. I'm about 2/3 of the way through the book now, and appreciate this line even more in hindsight.
el dang replied to screamsbeneath's status
Content warning ch15 spoiler
@screamsbeneath@bookwyrm.social Yeah. And I think part of it is that Lovell doesn't think of himself as any of those things, though he clearly is. He's so solidly speaking and acting within the bounds of the system that made him, that he can sincerely believe he has the moral high ground through and through.
Content warning ch15 spoiler
Yesterday I read the scene in which Professor Lovell browbeats Robin into pretending contrition and giving up a scrap of information about Hermes. A different part of it is haunting me: the way Lovell never engages with a single moral claim Robin makes, just mocks and dismisses them out of hand. That part of the conversation, I've had personally with so many relatives and the occasional coworker / fellow student. And I keep reading reports of political and media figures doing the same - Lovell might as well have just said "woke" with that sneer they all do.
None of which is a criticism of the book! It was a painfully well-observed scene. #SFFBookClub
mouse quoted Nose Dive by Harold Mcgee
We usually describe the smell [of blood] as "metallic" because it's similar to the smell left on our fingers when we handle coins, or in the air when we scrub a bare metal pan or sink. ... Our hominid ancestors would have known that molecule [epoxy decenal] and smell long before they paid much attention to rocks and ores, so for much of our prehistory, they may well have experienced metals as bloody-smelling.
— Nose Dive by Harold Mcgee
London at the time of... approximately chapter 15: sciencemastodon.com/@oldmapgallery/111931878489659575 cdn.masto.host/sciencemastodoncom/media_attachments/files/111/931/866/556/732/629/original/197a25046f337b05.jpg
among other things, it really underscores how separate Hampstead would have felt back then.
Content warning ch12, non spoiler
I'm enjoying how much Kuang ties the fantasy world of the book to the real world unrest that was happening at the same time, and how timeless the attitudes of the people fully bought into the system are. #SFFBookClub
el dang reviewed The Kingdom of Copper by S. A. Chakraborty
moar Daevabad!
5 stars
Book 2 in a series, and a wonderful fleshing out of things that were introduced in City of Brass. The politics get more complicated and feel more real as a result, the focus characters get more developed, and the city feels more alive. It feels like such a sharp analysis of the ways resentments and conflicts get stuck and self-feeding that I kept seeing real-world stories reflected in it. But it's never as narrow as an allegory for any one thing in the real world, it's much more an exploration of the whole type of thing.
It does have weaknesses: never getting Ghassan's perspective lets him feel like a cartoon villain, and never getting Muntadhir's makes his growth feel lurching and unpredictable... which in fairness it probably would have done to people around him too. And where the ending of City of Brass deftly managed to stand on its own …
Book 2 in a series, and a wonderful fleshing out of things that were introduced in City of Brass. The politics get more complicated and feel more real as a result, the focus characters get more developed, and the city feels more alive. It feels like such a sharp analysis of the ways resentments and conflicts get stuck and self-feeding that I kept seeing real-world stories reflected in it. But it's never as narrow as an allegory for any one thing in the real world, it's much more an exploration of the whole type of thing.
It does have weaknesses: never getting Ghassan's perspective lets him feel like a cartoon villain, and never getting Muntadhir's makes his growth feel lurching and unpredictable... which in fairness it probably would have done to people around him too. And where the ending of City of Brass deftly managed to stand on its own at the same time as leaving a clear opening for a sequel, the end of this one doesn't stand on its own at all.
I'm very glad that the teaser for Empire of Gold makes clear that we'll get some chapters from Manizheh's perspective, and I hope it also gives Zaynab a bit more space, since she feels a bit like a plot mechanism so far. But I couldn't put this volume down and it took some self control to not launch directly into the next.
Content warning minor spoilers for book 1 / the first 4 chapters
I'm thoroughly enjoying this book so far, including among other things the descriptions of Oxford through the eyes of some new students. It's clear that Kuang has a lot of affection for the place even as she's setting the story up to be very sharply critical of it in important ways. And that's striking a very personal chord with me.
I interviewed at Oxford as a potential undergrad, and didn't get in. It was the one university I applied to that required an interview, and even though the interview itself was frustrating [I seemed to be evaluated on prior subject knowledge, for a subject they advertised as not needing prior background to study], the 3 days in Oxford in an autumnal fog around it were lovely. Looking back I'm reasonably confident that I was better off studying elsewhere, but every now and then I do get some longing for the place because it is so beautiful, and it is possible to fall for the illusion it has of itself as a town-sized temple of pure learning.
I think Robin and Rami's 3 days of freedom before term starts managed to capture a lot of that feeling. It's already clear the place isn't going to be as good for Robin as he thinks, but oh it's such a beautiful place it's easy to be charmed by it.
el dang reviewed How High We Go in the Dark by Sequoia Nagamatsu
How High We Go in the Dark
4 stars
A very emotional and structurally interesting book - somewhere between a set of short stories and a set of chapters with very varied styles and points of view.
I loved the ways the stories were connected to each other, and the best of them were absolutely heartrending pictures of grief, fear, and mourning. Many of them did live on in my mind for some time afterwards. But towards the end I felt like some of the broader attempts to pull it all together in one arc didn't quite land for me.