One chapter in I'm a bit frustrated with how transparently it's a skin on the colonised Philippines--if it stays this literal I'll end up wishing I were reading a straight historical novel instead of fantasy--but there are some interesting ideas here that I'm hoping the author will start to play more freely with.
For fans of Emily St. John Mandel and Kelly Link, a profoundly imaginative debut novel …
A fascinating fractal
5 stars
This is the book version of the theme-and-variations composition structure used in classical music and sometimes techno. The first chapter is a lovely and sad story in its own right; it almost feels like what Chekhov might have come up with if he'd been writing with today's gender and sexuality sensibility. Each thereafter takes mostly the same set of characters but with progressively larger twists - at first it's very much "what if protagonist had made a different choice at this key moment?", but it gradually shades over into wilder sci-fi speculations.
Strangely, it was the wilder variations that really made the book click for me. Before things got really weird I was starting to question how the book was going to sustain interest for 11 chapters, but North answered that question very effectively. I don't think it would have worked to go directly to those, the smaller variations feel …
This is the book version of the theme-and-variations composition structure used in classical music and sometimes techno. The first chapter is a lovely and sad story in its own right; it almost feels like what Chekhov might have come up with if he'd been writing with today's gender and sexuality sensibility. Each thereafter takes mostly the same set of characters but with progressively larger twists - at first it's very much "what if protagonist had made a different choice at this key moment?", but it gradually shades over into wilder sci-fi speculations.
Strangely, it was the wilder variations that really made the book click for me. Before things got really weird I was starting to question how the book was going to sustain interest for 11 chapters, but North answered that question very effectively. I don't think it would have worked to go directly to those, the smaller variations feel needed for the coherency of the whole, but I loved the effect of the whole set together.
In the near future, a civil servant is offered the salary of her dreams and …
A delightful read, with a bit of a frustrating ending
4 stars
Content warning
Vague discussion of ending
I loved this book as I read it. It probably helps that I identified with bits of the [unnamed but clearly an authorial self-insert] narrator/protagonist's experiences from before the book started; more on that in a moment. But it's also an entertaining story, and very engagingly written - many chapters had me laughing out loud at key moments even though the book's in no way a comedy overall.
Much of the book feels like a very sharp criticism of British society--I identified strongly with the narrator's endless experiences of people putting their assumptions over her experience, and needing to remind her that she doesn't quite fit in--and of the government / civil service's overconfidence in its own intrinsic goodness. In the face of that it was at times frustrating seeing the protagonist be so deeply invested in the Ministry and her job standing in it, but if I take a more critical eye to myself it becomes easy to understand as a reaction to that never quite being allowed to fit in. That part cut deep for me personally.
I also appreciated how much the book is also a lockdown story. I've been grumbling lately about how little art I've encountered that seems to process the covid pandemic and the experience of lockdowns in retrospect. And here came this book, clearly using the roommates-in-hiding portion of its arc to work through some feelings about that experience. More of this please!
The ending felt... not exactly too neat in that it does leave some ambiguity, but too abrupt. It felt like most of the story proceeded at a fairly comfortable pace, and then suddenly the author felt a need to bring it to a close with a sharp turn.
In this an enthralling Filipino-inspired epic fantasy, a nun concealing a goddess-given gift is unwillingly …
Saints of Storm and Sorrow is the #SFFBookClub book for July 2025. If you're at all interested, please read along and post your thoughts to the hashtag! See sffbookclub.eatgod.org/ for more details.
The SFFBookClub is our informal fediverse science fiction and fantasy book club. Everyone reading this is welcome to participate. More details: sffbookclub.eatgod.org/
In the near future, a civil servant is offered the salary of her dreams and …
Enjoyable.
3 stars
I found this to be enjoyable, but it jumped around between the genres too much for my liking.
It really irked me that the MC never gets named. It was at least bearable due to the perspective being almost entirely from her point of view, but with how much she interacts with the other characters, it drove me a little bonkers that she was never called by any name.
I'm glad that I read this still, but it's not one that I'm ever going to have an interest in revisiting.
In the near future, a civil servant is offered the salary of her dreams and …
The Ministry of Time
4 stars
I really enjoyed The Ministry of Time.
I was frustrated with the protagonist for big chunks of the book for not realizing obvious things. The author repeatedly tried to defend this with "I bet you're thinking 'I would have realized this right away', but" and in a world where I know time travel exists,I absolutely would!
However, the writing is very good, and it kept me engaged. The combination of themes around time travel, colonialism, and refugee life really worked, and I feel like it allowed them to be explored from different angles.
I'm kind of let down by the inconclusiveness of the ending, but on the other hand they avoided most of the cliché time travel tropes, so overall I guess it balances out.
In the near future, a civil servant is offered the salary of her dreams and …
The Ministry of Time
4 stars
Overall, I love this novel's ideas but the genres it mixes together work against each other rather than being stronger for the combination.
(also please name your protagonist, it's so awkward, thank you)
I found the writing here to be surprisingly funny and engaging. The dialogue between the protagonist and Graham continually made me laugh, and the book is peppered with delightful drive-by analogies like "he looked oddly formal, as if he was the sole person in serif font" or "I lay in my own body like a wretched sandbank".
The strongest part of the book to me (and the part that I found the most engaging) was the relationship and dialogue between the protagonist and Graham. A 19th century sailor is a great foil for modern London life; however, it also does a good job of making both the protagonist and Graham real, fallible characters who each make incorrect …
Overall, I love this novel's ideas but the genres it mixes together work against each other rather than being stronger for the combination.
(also please name your protagonist, it's so awkward, thank you)
I found the writing here to be surprisingly funny and engaging. The dialogue between the protagonist and Graham continually made me laugh, and the book is peppered with delightful drive-by analogies like "he looked oddly formal, as if he was the sole person in serif font" or "I lay in my own body like a wretched sandbank".
The strongest part of the book to me (and the part that I found the most engaging) was the relationship and dialogue between the protagonist and Graham. A 19th century sailor is a great foil for modern London life; however, it also does a good job of making both the protagonist and Graham real, fallible characters who each make incorrect assumptions about the other. One other way this relationship also works for me is that it lets the book delve into the parallels of being an expat forced into a new time versus a new place work really well, or of not being be able to go "back".
However, the construction seams of this novel show, and that's where it gets weak. The more "serious" time travel and time war shenanigans feel tacked on, and thematically don't really integrate with the rest of the story (tonally or thematically). As a time travel story, it's not doing anything particularly novel here, and these bits weaken the rest of the novel.
Pocket World–a geographically small, hidden offshoot of our own reality, sped up or slowed down …
Time's Agent
4 stars
This book was a potential book for the #SFFBookClub poll for a while, but I ended up reading anyway because it looked intriguing.
As a reader, it seems like a novella is a hard length to hit; it's hard to have the space for both pacing and sufficient worldbuilding, and it's also hard to have enough runway for the resolution to resonate and feel satisfying. The short of it is that I feel like this novella nailed it for me.
The worldbuilding here is brutal. The book kicks off with idyllic introduction of Raquel working for the Global Institute for the Scientific and Humanistic Study of Pocket Worlds. Pocket worlds are small offshoots of reality, much smaller than our own universe--maybe the size of a meadow or a room or a bag even--and they can run at different time rates to our own universe.
After the protagonist Raquel falls into …
This book was a potential book for the #SFFBookClub poll for a while, but I ended up reading anyway because it looked intriguing.
As a reader, it seems like a novella is a hard length to hit; it's hard to have the space for both pacing and sufficient worldbuilding, and it's also hard to have enough runway for the resolution to resonate and feel satisfying. The short of it is that I feel like this novella nailed it for me.
The worldbuilding here is brutal. The book kicks off with idyllic introduction of Raquel working for the Global Institute for the Scientific and Humanistic Study of Pocket Worlds. Pocket worlds are small offshoots of reality, much smaller than our own universe--maybe the size of a meadow or a room or a bag even--and they can run at different time rates to our own universe.
After the protagonist Raquel falls into a fast time pocket world and comes back forty years later (while only a few moments have passed relatively for herself), the world has changed for the worst. Her institute is no longer doing scientific studies, her daughter has died, and capitalism has moved in to colonize the new spaces of these pocket worlds. The implications for labor when corporations have access to nearly infinite time and space goes exactly where you think it might; people signing up for a decade of work to then come back before breakfast, extra dumping grounds for garbage, or even locking rioters into these worlds. These are just a couple examples, but woof this book captures the capitalist extraction of time and space from a new technology.
Raquel is an archeologist of pocket worlds, and believes the Quisqueyan Taino people might have escaped into a pocket world to avoid genocide and is looking for clues to their past. She is the descendant of the Taino but also of conquistadors, and in some ways is at the intersection of both. What really works for me in this book is how her personal history and struggle parallels the larger story about colonialism and capitalism--she has her own insatiable wants for knowledge and family, especially around grief about her archeological work and her lost daughter.
In the near future, a civil servant is offered the salary of her dreams and …
I should say that my face does a good impression of whiteness, late-entering or not. I didn't know how to tell [minor spoiler redacted] that I'd been tricking him, feature by feature. I wasn't sure I was ready to. He'd made, as people do, an assumption about me that left me room to maneuver. Later, when he found out the truth--as people do--he'd be unbalanced by his own mistake. Another person's unguardedness in that moment can be very useful, interpersonally, as long as you don't soften.
In the near future, a civil servant is offered the salary of her dreams and …
Chapter 1 thoughts: I'm charmed by this so far, but waiting to see how it turns into a whole story. Every page feels thoroughly quotable, and I'm finding I have a lot to identify with in the narrator character who is very clearly a self-insert by the author, so that biases me in the book's favour.
Also, the physical book itself is an unusually nice artefact for a modern book. This publisher evidently cares how the paper feels in the hand, and I appreciate that. #SFFBookClub
Security expert Dora left her anarchist commune over safety concerns. But when her ex-girlfriend Kay …
Short, tense thriller
5 stars
This is a tightly focussed that tells one story from one character's perspective, against a background of a much bigger collapse that doesn't really get discussed. I think that focus is one of its strengths, at the same time as I'd love to see the same story through the eyes of a couple of the other characters in it.
Wasserstein also uses the story as a vehicle for some trans parent trauma catharsis, by way of a character who is the sum of every bad parental reaction to a child coming out as trans. It also pokes a bit at the tensions between anarchist commune idealism and practice, and at the simple truth that one's clone would still be their own person. Which is a lot to pack in to a novella!
