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Lent to me by a friend who loved it and whose recommendation is reason enough to read a book I know barely anything about. The cover certainly has my attention....

I repeatedly almost put this book down, and each time I was brought back in by the sheer beauty of the writing. It's simultaneously a reworking of assorted Russian folk tales and a magical realist retelling of ~30 years of Russian history, from the October Revolution to the Siege of Leningrad. It's full of interesting ideas and engaging imagery, but much of the time also has this sense that nothing any character might choose changes anything.

I'm having trouble articulating my thoughts about this book, but I think I largely agree with this review: strangehorizons.com/non-fiction/reviews/deathless-by-catherynne-m-valente/

A fun, light read, with a charming protagonist who's fiercely independent and very wily, but quite prone to underestimating others.

#SFFBookClub October 2023 pick

This ended up being the third of 4 stories I read this year that were all variations on the Fall of the House of Usher (including the original), and I think it's my favourite. The slow pace with which the protagonist (and by extension us the readers) learn what exactly is up with the house felt realistic and made for great tension because there's such a long period in which it's clear that something is Very Wrong but not what it is. And along the way Moreno-Garcia gets in some choice digs about what colonisers are and do, including to themselves and each other. Deliciously gruesome.

#SFFBookClub May 2023

What a joy this book was! It's a fairly light adventure, but with an emotional journey, some relatable characters, and a setting that feels like a relatively positive future with some unspecified dark times in its past.

This was the #SFFBookClub April pick

I really can't get enough of Janloon and Kekon, and thoroughly enjoyed this shorter return to it. It pulls of the wonderful trick of being a totally self-contained story with all new characters for the important roles, while tying in very well to the bigger arc of the Green Bone saga, giving major characters from that satisfying cameos, and reinforcing the human stakes of the events of the big saga.

Wow. This really wraps up the series perfectly, with a lot of sadness and some hope. I continue to be in awe of Fonda Lee's ability to make me care about a bunch of violent gangsters - this really isn't a genre I usually go for but she hooked me in and kept me reading. And I continue to love the image of Janloon and wish I could visit it for real - the tourist guide appendix is a very nice touch.

I love the premise of this book, and like any multi author collection the quality of the content is all over the place. Many great stories, some that don't quite work.

I started it excited about having an alternate history collection that wasn't going to be about "what if the Nazis won". It actually doesn't quite meet that bar, though at least there are only a couple of stories that plumb that particular horror, and the more original of the two is perhaps the highlight of the book: a psychological study of the oppressor that I was mentally chewing over for a long time. Meanwhile, the story that mashes up Scottish and Jewish history was an unexpected delight - it started out looking like the whole concept was just going to be a few puns ("Moshe Ben Nevis"; "The Hebraides") but fleshed that out into a genuinely interesting fantasy.

The one real sour note for me was "The Time-Slip Detective", in which the vision of a happier, more prosperous Israel is clearly predicated on 'what if the Palestinians just didn't exist?', which was a chilling and infuriating concept even when I read it a few months ago, before the latest horrors. Some what-ifs are better not entertained at all, and just as I'd love to never read another goy's "what if the Nazis had won", I also never want to see another Jew's "what if we just wished the Palestinians away".

Skip that story, and this collection is a worthwhile read.

I read this over a few months with an in-person book club, and it was a great choice for that because it has a lot to discuss. It opens with an incredibly harrowing description of the sort of heat wave disaster that the world hasn't seen yet but I think is plausible not far in the future. And from there it basically follows three interwoven threads: * The UN establishes a climate change super-org that gets dubbed the "Ministry for the Future" because its official name is far too unwieldy government-speak * India decides after the heatwave that it can't afford to wait for the world to get its shit together, and starts going it alone on geoengineering, to global consternation but also spurring some more serious action from other parties * The character from whose point of view we saw the disaster is very deeply scarred by the experience and devotes the rest of his life to climate action by any means necessary

In true KSR style, the book is very long on research and loving descriptions of places (mostly Switzerland this time; he's made me want to visit Zurich), and relatively short on three-dimensional characters. I think this one does a better job with the characters than Red Mars, because he picked a couple (Frank and Mary) to focus on and managed to bring those to life somewhat, while letting others just be functions in the story. But it's definitely still his weak point as a writer.

The book goes through a grim ride, in which there's a lot more loss, and it takes a huge amount of work and delay to get to meaningful global action. All of which seems sadly realistic to me. I think KSR's also right that in the end the levers will be social and financial system changes, not some amazing new technology. But his proposal for those changes feels weirdly credulous about Bitcoin, and thin on details about how it would actually achieve its social objectives - which would be fine for a straight work of fiction, but is jarring compared to how much deep research there clearly is in the climate system and technology parts of the story.

It eventually leads to a sort of optimistic conclusion, a somewhat believable scenario of humanity living within its means at last, and some aspects of that vision being genuinely appealing. But that end state has two glaring omissions which ultimately detracted a lot from the book for me.

One is that there's been a triumph of this "half Earth" movement about physically limiting human habitation to half of the land surface, to rewild the rest. But... everywhere habitable is someone's ancestral land. What happened to those people? Were they consulted, compensated, persuaded, or moved along yet again? And most of those ecosystems' stable pre-industrial states were ones of dynamic equilibrium actively maintained by humans - simply withdrawing wouldn't do what this book seems to assume it will.

The other is that there's this lovely vision of long haul travel being done by boat and airship, which in turn is practical because people get to work on their laptops. Which would be great for me! But what's a plumber supposed to do? I can only be so happy about a future in which migrants' ability to see our families is contingent on us having remote work compatible jobs. And the way that's not discussed left me feeling like KSR had only really thought about this future for himself.

Fun read with some compelling characters, and a lot of good banter between them. This made me read up on the real world "Malayan Emergency" that it's set in.

I read this with #SFFBookClub, and probably wouldn't have done otherwise because IRL I find both election superfans and "too clever for elections" antis tiring, and their arguments tedious. I'm glad I was prompted to read it, because I enjoyed the majority of the book a lot, but in the end it felt sort of hollow.

The good: Older has the skill to make a thriller about an election actually... well... thrilling. I was very sucked in, at times finding it hard to put down. I think a key part of how is that she made me care about the characters much more than about the election itself. And the world itself is interesting - she ran with an idea that 20-30 years ago I would probably have considered a utopia, and has really chipped away at many ways in which it would not be. Plus the general background of different understandings of reality being what manifests social reality while also prone to being manipulated feels... prescient.

The bad: this book replicates a lot of aspects of Cyberpunk that I find a turn-off. The tone of the first couple of chapters almost made me give up, and there's this sort of simultaneous glamourisation of travel and flattening of difference that feels like a weird tic of the genre - even though this book at least modulates that a bit by travel still being clearly a hassle and a privilege. Ken's relationship with the various field offices didn't seem believable to me: how would he always know better than the locals, and why would any of them listen to him? And the last couple of chapters felt like a hurried wrap-up that just sort of forgot some of the potentially-interesting complications that were being introduced before them.

I found The Fall Of The House Of Usher intriguing but ultimately frustrating, and judging by the author's note at the end of this book, so did Ursula Vernon. Her reworking does a great job of keeping the atmosphere of the original while filling it out to be much more of a satisfying story, with clearer reasons behind what happens and much more compelling characters.

I love how the narrator has so much of their own story, and it's mostly made relevant to the core story of the book. And the mystery aspect is very well done, with that tantalising sense that we as readers are just slightly ahead of Easton & Denton in figuring out what's going on and what will have to happen. I also appreciated how Roderick gets to be more of an actor in this telling rather than a pure victim, and I'm intrigued by the ambiguity of whether Madeline also is one or whether we're purely hearing from the fungus towards the end of the book. It must be tempting when writing a story that fills in so many gaps from the original to fill in every gap, and I think stopping short of doing that was a very good move.

[this review is about the title story only] I was surprised by how short this story was. The way I hear it talked about kind of gives it the status of a novel in my mind, and it's really just a sketch, almost a single scene. Which is a format Poe absolutely excelled at--I think his best stories are so effective precisely because they're so tightly focussed and written--but somehow this one felt too skeletal to me. Which makes it a perfect choice for Ursula Vernon to have built books.theunseen.city/book/194634/s/what-moves-the-dead around, but not a story I found very satisfying in its original form.

It's not Wodehouse's fault that the Jeeves books have become such a cliche since he wrote them that they feel hackneyed now. But I do feel that the premise isn't quite enough to sustain a full length novel. However, the writing is just so well done and timed that it kept me enjoying the book. Every time I started to get too tired of the upper class twits, their inability to just talk to each other, and the pettiness of their gripes, I would reach a passage so perfectly written that it would draw me back in.

I think in future I'll stick to the short stories, but there is a lot that's really delightful in here.