#sffbookclub

The #SFFBookClub January pick is How High We Go In The Dark, by Sequoia Nagamatsu.  Thank you to all who voted and/or suggested books.

weirder.earth/@eldang/111665173533494437

This is a set of stories-within-a-story, which are their best are very entertaining and vivid. But as another #SFFBookClub mentioned, I think it would have worked a lot better as a series of separate stories. In trying to pull it all together as one person's adventures, Nimr ended up making a lot of the dramas resolve too quickly and neatly to maintain interest, and the ending manages to be simultaneously too neat and unresolved.

I enjoyed the setting, and some of the substories were compelling, but as a whole it was too rambling and incohesive for me.

I feel like it would have worked better as a series of stories about different people from the same village or whatever instead of repeatedly being like "despite being in the middle of this incredibly urgent life crisis, the main character decides to spend six months teaching an older woman to fold laundry" or "despite having a very bad outcome two chapters ago, the main character decides to engage in exactly the same dangerous behavior with no additional precautions"

#SFFBookClub

Let's see if I finish this one in time for #SFFBookClub

She Who Became the Sun is a historical fantasy duology, retelling the rise of the first emperor of the Ming dynasty. This is a reread for me before I get to the sequel for a belated #SFFBookClub sequel month.

My favorite part of this first book is the ways that the major characters all uniquely grapple with their own gendered otherness:

Ouyang is an enslaved warrior eunuch working for the Mongol prince of Henan's son, Esen. Ouyang is the most masculine of characters, but copes with his otherness through anger and shame. He so strongly denies the femininity that other people project onto him that he extrudes that rejection into misogyny. His relationship with men is similarly uneasy and hits a classic trans refrain: "he had no idea if it was a yearning for or a yearning to be, and the equal impossibility of each of those hurt beyond belief". For Ouyang, "the worst punishment is being left alive".

Zhu (the titular sun-becomer) is a famine survivor who decides to claim the great fate of her dead brother by becoming him. Her burning desire for greatness forces her to overcome impossibility through ingenuity. To Zhu, gender and otherness are not a source of shame or a limitation, they are merely tools to work towards greatness or obstacles to work around. She's a delightful contrast with both Ma and Ouyang; her direct contradiction of Ouyang is such a good character and plot moment: "However tired I am, however hard it is: I know I can keep going, because I'm alive."

Wang is the half-Mongolian, adopted brother of Esen. Wang is a scholar out of time, reviled for his effeminate behaviors and unmasculine administrative and accounting interests. Unlike Ouyang, he has no denial or shame about this and accepts ongoing humiliation bitterly; however like Ouyang, he turns this humiliation inward into anger and desire for revenge. Wang is the petty bureaucrat working behind the scenes; even as his work is dismissed, he guides the efforts of his brother Esen from the shadows through funding, diplomacy, and assassination. "In having told yourself so often that I'm worthless, have you forgotten what my domain actually is? I'm an administrator."

Ma is the precious cinnamon roll who keenly feels her own emotions and continually extends love out into the universe to those who don't deserve it, even as it is only returned with suffering. Other than being an extremely endearing character and the caring heart of a novel otherwise filled with selfish desire and denial, she feels like the epitome of self-limited excellence; she is extremely capable but simultaneously trapped by her own inevitable circumstances of being a woman.. "She was a woman and [..]. everything that could be wanted was all equally impossible".

She recognized pragmatism taken to its natural endpoint: the person who climbed according to his desire, with no regard to what he did to get there. Zhu was surprised to feel, instead of sympathetic attraction, a tinge of repulsion.

Parts of this book remind me of The Traitor Baru Cormorant, in particular the resource management of Wang, the political struggles, and the pragmatic way that all of these characters do some occasional horrible things to work towards their own desires (loyalty, revenge, power, greatness).

Both books posit that these desires create suffering (and in an explicitly Buddhist sense here). However, I think Baru is a brutal gutpunch of a book that wants you to believe that sacrifice and suffering is always required (both of the characters and the reader); this book seems to believe in Zhu who can (sometimes) find another path when confronted with an impossibility. Ma also explicitly balances out Zhu's monomaniacal pursuit of greatness and helps Zhu feel some level of revulsion towards pure pragmatism. Together, they are a source of queer joy that creates hope and possibility. These things together make this book work for me and make me able to find love for these complicated characters, while reading Baru left me cold.

This is in the same universe as The Space Between Worlds, but the main characters from that book purportedly only make limited appearances, which is disappointing to me. I was drawn to the characters in that book far more than the world. #SFFBookClub

This third book was a great send-off to the Daevabad series. The ending did a good job of coming all the way back around (in several ways) to how the whole book started. It filled in historical details that previous books been teasing. Mostly though, it was an emotionally satisfying ending that neatly wrapped up the stories of the major characters. I think a lot of the politics I enjoyed from the earlier books fell away into more personal dynamics and larger plot happenings, but I think that shift worked here for a final third climactic book.

My single favorite part of this book were some of the new side characters. Fiza!!! Sobek!!! Mishmish!!! Fiza deserves her own book, just sayin'.

Overall, this series is not some Sandersonian book where details about the world and magic are eventually explained to a wikiable degree. At the end, there's still quite a few unanswered questions about history, the world, and especially around magic itself: the ring, the nature of several resurrections spoilery handwave, the lawyer parrots. In the end, these elements are ultimately not the focus of this story (in the way the three major characters are) and ultimately the ambiguity and uncertainty don't get in the way of the story that's being told here. (Although, folks who want these kinds of details might be disappointed.)

I wrote about the last book that I wanted more Aqisa and Zaynab and so I was delighted that my ebook had some extra bonus scenes with them that were edited out of the book. It makes me excited to go read River of Silver and get a little bit more taste of this world and the characters before I'm done with it.

I have some additional comments that have mild spoilers, which I will put in this reply.

cc #SFFBookClub for November sequel month

A fun, light read, with a charming protagonist who's fiercely independent and very wily, but quite prone to underestimating others.

#SFFBookClub October 2023 pick

This ended up being the third of 4 stories I read this year that were all variations on the Fall of the House of Usher (including the original), and I think it's my favourite. The slow pace with which the protagonist (and by extension us the readers) learn what exactly is up with the house felt realistic and made for great tension because there's such a long period in which it's clear that something is Very Wrong but not what it is. And along the way Moreno-Garcia gets in some choice digs about what colonisers are and do, including to themselves and each other. Deliciously gruesome.

#SFFBookClub May 2023

What a joy this book was! It's a fairly light adventure, but with an emotional journey, some relatable characters, and a setting that feels like a relatively positive future with some unspecified dark times in its past.

This was the #SFFBookClub April pick