enne📚 commented on The Ministry of Time by Kaliane Bradley
#SFFBookClub book for May 2025
I read largely sff, some romance and mystery, very little non-fiction. I'm trying to write at least a little review of everything I'm reading, but it's a little bit of an experiment in progress.
I'm @picklish@weirder.earth elsewhere.
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#SFFBookClub book for May 2025
The concept is one I really want to like: a twist on the Count of Monte Cristo that recasts it to make racism the motivating factor of all the betrayals, and uses a future setting to make a point about the durability of colonialism. But the pacing is so off that it takes away the impact from most of its own story.
His arms encircle my waist. "How about this: if you ever wish for me to stop doing something, and you mean it resolutely, say the words...'private property.' I will stop. No matter what."
"'Private property'?" I splutter.
Overall feelings: the ideas were fun, the middle felt like it dragged on, and the politics often felt heavy handed
The part of this book that I enjoyed the most and felt like was the strongest was all of the interpersonal dynamics. The first book ends with waking up the legendary emperor Qin Zheng, who in this book takes control immediately. The triangle dynamics of Zetian, Shimin, and Yizhi from the first book are broken up, with Shimin hostaged, Yizhi becoming Qin Zheng's advisor, and Zetian becoming Qing Zheng's wife. There's a lot of good tension between the fact that Qin Zheng is an authoritarian tyrant that rules with violence, but also establishes some policies that try to address inequalities from the previous regime. Zetian loathes his controlling nature, but also finds that he listens and can be extremely reasonable when given policy advice. And, all in the background, the …
Overall feelings: the ideas were fun, the middle felt like it dragged on, and the politics often felt heavy handed
The part of this book that I enjoyed the most and felt like was the strongest was all of the interpersonal dynamics. The first book ends with waking up the legendary emperor Qin Zheng, who in this book takes control immediately. The triangle dynamics of Zetian, Shimin, and Yizhi from the first book are broken up, with Shimin hostaged, Yizhi becoming Qin Zheng's advisor, and Zetian becoming Qing Zheng's wife. There's a lot of good tension between the fact that Qin Zheng is an authoritarian tyrant that rules with violence, but also establishes some policies that try to address inequalities from the previous regime. Zetian loathes his controlling nature, but also finds that he listens and can be extremely reasonable when given policy advice. And, all in the background, the gods are manipulating everybody and everybody is trying to deceive each other and the gods. It adds up to a nuanced dynamic that was really intriguing to me.
Another thing I liked is that the ending of this book (like the ending of the first) is a great escalation. The first book ended with "oh wow, you're just going to reveal for free that [major spoiler]". The ending to this book likewise breaks up established dynamics, creates additional tensions, and remixes and stirs up interpersonal conflicts.
That said, I do think that it just took a while to get to this ending. The politics felt didactic and heavy handed to me, and the overall plot was much slower than the first book.
Mom had only been gone a few months, so talking about her still stung. My brother popped the bag to cover our hurt. And like cheese-scented fireworks, that loud release of air and processed dust cheered us up.
This book is off the #SFFBookClub backlog, and I saw it mentioned on Imperfect Speculation (a blog about disability in speculative fiction).
The novel is set in a post-apocalyptic near future world where most people have lost the ability to dream, and the only "cure" is through the exploitation of bone marrow from indigenous people who still can. The book follows Frenchie, a Métis boy who has lost everybody he cares about and travels with a found family trying to find safety and community. The metaphor here resonates directly with the horrors of Canada past, as armed "recruiters" capture anybody who looks indigenous to send them off to "schools" to extract their bone marrow.
I know this is a YA novel, but I wish some of the characters and the protagonist Frenchie had more depth. Maybe this would land better for somebody else, but I also don't have any room …
This book is off the #SFFBookClub backlog, and I saw it mentioned on Imperfect Speculation (a blog about disability in speculative fiction).
The novel is set in a post-apocalyptic near future world where most people have lost the ability to dream, and the only "cure" is through the exploitation of bone marrow from indigenous people who still can. The book follows Frenchie, a Métis boy who has lost everybody he cares about and travels with a found family trying to find safety and community. The metaphor here resonates directly with the horrors of Canada past, as armed "recruiters" capture anybody who looks indigenous to send them off to "schools" to extract their bone marrow.
I know this is a YA novel, but I wish some of the characters and the protagonist Frenchie had more depth. Maybe this would land better for somebody else, but I also don't have any room in my heart for jealousy subplots, and the one here did not create any extra characterization that could have made it interesting.
Even if some of the plot points felt a bit weak and unearned, the book still ended in a very emotionally resonant way that worked for me.
Space colonization had not been the great equalizer the capitalist billionaires had advertised.
— Countess by Suzan Palumbo
😮 #SFFBookClub
"Does it hurt?" she asks quietly.
"Sometimes," I lie. It hurts almost continuously, but I got used to ignoring it many years ago. "Most days it's just inconvenient."
I enjoyed this recontextualization of the Count of Monte Cristo into a science fiction story of revenge against empire and colonialism. It riffs on many elements from the original, but ultimately takes them in a different direction. Here, Virika is still framed by one of her peers due to his career jealousy, but it's also because of rebuffed sexual advances. Instead of "wait and hope" from the original, this book has the much more modern "success or perish" mantra.
As both a personal and thematic moment, the final scenes of negotiation come satisfyingly full circle, but sadly there's not that much room for worldbuilding in this short novella. It makes the larger diplomatic picture feel shallow, and the end of the book feel abrupt.
You could pretend yourself into being anyone if you threw your whole being into the act, she'd learned.
— Countess by Suzan Palumbo
Before I know it, one of the forks is in my hand and I strike, on instinct alone. In one smooth motion, The Third Daughter catches my wrist and twists it just ever slightly. My fingers unfurl and the utensil falls silently against the lush, burgundy carpet.
"Now, that's a dessert fork, Ms Kato," Rezál says, her eyes alight with a playful twinkle. "You won't do any real damage with a dessert fork."
A delightful gay science fiction novella about a carefully planned revenge against an empire. I read this because it's a nominee for the Nebula best novella this year.
Enemies to lovers tropes aren't always my thing, but it works for me here. Both sides personally have reasons to be attracted to the other, but aren't betraying their values because they each feel like they're using the other to their own ends. Moreover, this dynamic feeds into the larger double-crosses and secret-keeping going on.
This book went from good to great right at the stinger at the end of chapter seven, when the layers of deception start to peel back. I won't spoil the line directly, but chef's kiss.
These Fragile Graces, This Fugitive Heart is a vignette about working through guilt and self-loathing toward self-forgiveness.
There's a lot going on in terms of themes: gender, transhumanism, anarchy and fascism, cloning, all mixed into a more standard crime plot.
Although the main thread is satisfactorily wrapped up, there's definitely room to explore the world further - I want more Dora!
The #SFFBookClub pick for April 2025
I gave this book a reread before getting to the sequel because it had been a bit.
I forgot how this book starts off with such a YA anime-esque tone. There's something about celebrity mecha pilots and media companies that rings a lot of hunger games-esque bells. But the world itself is almost too overly defined, where pilots have an objective "spirit pressure" for their piloting strength and there's both a mecha and enemy taxonomy that feel like something that could go into a wikipedia entry. In the end, these largely (thankfully) fall away and are more hook than truth.
One thing that's interesting to me is that Wu Zetian is a messy character who does unlikeable things at times. The plot is fundamentally a revenge plot that escalates, and she's willing to get her hands dirty to do what she feels is right.
The book ends on a bit …
I gave this book a reread before getting to the sequel because it had been a bit.
I forgot how this book starts off with such a YA anime-esque tone. There's something about celebrity mecha pilots and media companies that rings a lot of hunger games-esque bells. But the world itself is almost too overly defined, where pilots have an objective "spirit pressure" for their piloting strength and there's both a mecha and enemy taxonomy that feel like something that could go into a wikipedia entry. In the end, these largely (thankfully) fall away and are more hook than truth.
One thing that's interesting to me is that Wu Zetian is a messy character who does unlikeable things at times. The plot is fundamentally a revenge plot that escalates, and she's willing to get her hands dirty to do what she feels is right.
The book ends on a bit of a cliffhanger, but it manages to be satisfying all the same. For a book where Zetian has literally smashed through everything holding her back, it's compelling to add some elements for the next book that can't be overpowered through ruthlessness.