User Profile

One of the things I like about recent sf is that it doesn’t feel the need to adhere to the old tropes. The protagonist’s secret comes out, and unlike in old sf where there would have been hand-wringing and ostracism, the allies accept the new information, accept the protagonist, and the story moves on. Old sf would definitely have killed off one of the protagonist’s group for shock value, but that isn’t a given nowadays. Old sf likes to explore the axis of the powerful against the underdog, but now the force driving the story is bureaucracy, opportunism, and selfishness. I like this first Murderbot story because it (the story, but also Murderbot) is relatable.

I’ll come right out and say it: blackface is a central part of this story. This novel is from 1934 when white people didn’t blink at blacking up and performing music as “n****r minstrels”. There’s simply no way to edit this story to exclude this fact without greatly changing the story.

I’ve only read Jeeves short stories to now; this is the first novel (and Wodehouse’s first Jeeves novel too). It hangs together, the plot is clever and of course Jeeves saves the day. Satisfying, but hold your nose.