From the award-winning author of Half of a Yellow Sun, a dazzling new novel: a story of love and race centered around a young man and woman from Nigeria who face difficult choices and challenges in the countries they come to call home. As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are leaving the country if they can. Ifemelu-- beautiful, self-assured-- departs for America to study. She suffers defeats and triumphs, finds and loses relationships and friendships, all the while feeling the weight of something she never thought of back home: race. Obinze-- the quiet, thoughtful son of a professor-- had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London. Years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu …
From the award-winning author of Half of a Yellow Sun, a dazzling new novel: a story of love and race centered around a young man and woman from Nigeria who face difficult choices and challenges in the countries they come to call home. As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are leaving the country if they can. Ifemelu-- beautiful, self-assured-- departs for America to study. She suffers defeats and triumphs, finds and loses relationships and friendships, all the while feeling the weight of something she never thought of back home: race. Obinze-- the quiet, thoughtful son of a professor-- had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London. Years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a writer of an eye-opening blog about race in America. But when Ifemelu returns to Nigeria, and she and Obinze reignite their shared passion-- for their homeland and for each other-- they will face the toughest decisions of their lives. Fearless, gripping, at once darkly funny and tender, spanning three continents and numerous lives, Americanah is a richly told story set in today' s globalized world: Chimamanda Ngozi Adichie' s most powerful and astonishing novel yet.
Maravilhoso. Um romance de migração, entre a Nigéria, Estados Unidos e Inglaterra. Lembra "Emigrantes" de Ferreira de Castro, apesar de todas as diferenças de tempo, lugar e raça. Urge traduzir e editar em Portugal.
Maravilhoso. Um romance de migração, entre a Nigéria, Estados Unidos e Inglaterra. Lembra "Emigrantes" de Ferreira de Castro, apesar de todas as diferenças de tempo, lugar e raça. Urge traduzir e editar em Portugal.
There's a love story with fairly traditional elements of circumstances coming between the lovers.
There's clearly some autobiography, from an author whose own life gives her plenty of material.
There's a lot of exploration of the dislocation of being an immigrant and the ways in which the assumed community of people from the same place easily falls flat. I identified strongly with a surprising amount of that, given that my circumstances are very different from the characters'.
There's a mourning for Nigeria. Just as with Teju Cole's writing, I see so much of my Turkey in the author's Nigeria.
There's an extended essay about race, racism, and especially how those play out in the USA. This is mostly done very well--if the protagonist's blog were real I'd be a subscriber--but towards the end of the US section it starts to feel like a lecture …
This book is several things interleaved.
There's a love story with fairly traditional elements of circumstances coming between the lovers.
There's clearly some autobiography, from an author whose own life gives her plenty of material.
There's a lot of exploration of the dislocation of being an immigrant and the ways in which the assumed community of people from the same place easily falls flat. I identified strongly with a surprising amount of that, given that my circumstances are very different from the characters'.
There's a mourning for Nigeria. Just as with Teju Cole's writing, I see so much of my Turkey in the author's Nigeria.
There's an extended essay about race, racism, and especially how those play out in the USA. This is mostly done very well--if the protagonist's blog were real I'd be a subscriber--but towards the end of the US section it starts to feel like a lecture is intruding on the story.
There's an interesting format experiment in which Adichie basically implements Brecht's ideas about giving away the story before telling it so that suspense doesn't interfere with the other things you're supposed to feel. Only Adichie does this far more deftly than Brecht, so it never detracted from the enjoyment of the story.
It does a surprisingly good job of carrying all these elements, albeit at times feeling a little overloaded. I enjoyed reading it and felt at times like it was really hitting hard.
