eBook, 156 pages
English language
Published May 2, 2017 by Tordotcom.
"As a heartless killing machine, I was a complete failure."
In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.
But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.
On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.
But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.
"As a heartless killing machine, I was a complete failure."
In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.
But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.
On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.
But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.
Im Vergleich zur Fernsehadaption etwas ernster, aber dafür noch besser.
After finishing the show (which has been renewed for a second season!) I thought I'd go back and check out the original to recall exactly what changes they made for the screen.
There weren't many — the show is pretty darn close to the novella. I guess having such tight clean source material means there isn't as much you need to cut. A lot of it was pretty streamlined — a couple of characters were merged, human thoughts and feelings get more screen time, making it more of an ensemble piece, and the addition of Leebeebee to make Murderbot more visually scary for us.
There's less detail to the tech/interface/hacking/hub system interactions. I don't think I've ever seen a hacking scene I really liked which both felt genuine and was visually interesting. (If you're wondering, the two best onscreen hacks are: 1. Trinity's use of nmap and the …
After finishing the show (which has been renewed for a second season!) I thought I'd go back and check out the original to recall exactly what changes they made for the screen.
There weren't many — the show is pretty darn close to the novella. I guess having such tight clean source material means there isn't as much you need to cut. A lot of it was pretty streamlined — a couple of characters were merged, human thoughts and feelings get more screen time, making it more of an ensemble piece, and the addition of Leebeebee to make Murderbot more visually scary for us.
There's less detail to the tech/interface/hacking/hub system interactions. I don't think I've ever seen a hacking scene I really liked which both felt genuine and was visually interesting. (If you're wondering, the two best onscreen hacks are: 1. Trinity's use of nmap and the SSH1 CRC32 exploit in Matrix Reloaded, which is realistic but visually mundane and only appears on screen for a few moments, making it more of an easter egg than anything else, and 2. Hugh Jackman assembling a hacking cube from an ancient server in Swordfish, none of which has any relationship to reality, but which is very flashy on screen and includes Hugh Jackman.
The biggest thing which felt different to me was the absence of Murderbot's ubiquitous use of micro drones and remote cameras as extensions of its sensorium. In the novella, I really felt like Murderbot was deeply connected to the feed and that looking through a remote camera or accessing a database was was as natural for it as reaching out a hand or looking in a particular direction is for us. There were definitely nods to this — it wasn't exactly forgotten — but it was considerably less ubiquitous and visceral than in the novella.
And I think this contributed to making it more of an ensemble piece. In the novellas, the reader doesn't have any senses: we're not watching or listening. We are reading an account composed by someone whose sensorium & perception are comprehensible but alien to us — like reading a cuttlefish talk about light polarization and how it's using chromatophores. And in fact I think that this is one of the deep strengths of the series. Murderbot is a killing machine with guns in its arms who experiences the world through drones & feeds and minimal fear of pain or death. But also, it's an autistic nerd treated as less than a person in a corporate dystopia and just wants to be left alone to watch its shows, just like the reader.
Anyway, this novella continues to delight. If you enjoyed the show and like to read, check it out. The books are very short and easy to get into, which makes it very easy to start and equally disappointing when you run out.
I've been watching the recent tv show and thought I'd give the books a reread so I could ground myself in the text again. Also brains have been bad, and Murderbot is such short grippy comfort fiction. I think what makes me come back to this (personally) is my empathy for Murderbot's exhaustion and horror around being asked to be a person.
Murderbot also epitomizes the mortifying ordeal of being known (but simultaneously the even more mortifying ordeal of being loved). There's so much joy for me in the grumpiness of the internal monologue. If I had to come up with a one sentence emotional arc for each book, this one would be Murderbot moving past apathy and learning that it does in fact want to protect (some) humans.
Confession time: I don’t actually know where we are
On a reread, I had also forgotten …
I've been watching the recent tv show and thought I'd give the books a reread so I could ground myself in the text again. Also brains have been bad, and Murderbot is such short grippy comfort fiction. I think what makes me come back to this (personally) is my empathy for Murderbot's exhaustion and horror around being asked to be a person.
Murderbot also epitomizes the mortifying ordeal of being known (but simultaneously the even more mortifying ordeal of being loved). There's so much joy for me in the grumpiness of the internal monologue. If I had to come up with a one sentence emotional arc for each book, this one would be Murderbot moving past apathy and learning that it does in fact want to protect (some) humans.
Confession time: I don’t actually know where we are
On a reread, I had also forgotten the level of indifference that Murderbot has, in terms of not even knowing what planet they're on. It's an aspect that comes through so much stronger in the original text.
What the doctor ordered
I like the premise, I like the writing, I like the characters and the stories.
Después de tres años lo he releído (a causa de que la serie de Apple TV+ basada en la novela va a salir en breves) y lo he entendido mucho mejor y me ha gustado muchísimo más. ¿Será cosa de que mi nivel de inglés ha subido o de que he entendido mejor de qué iba la vaina? Ni idea, pero el resultado es que esta novelita corta, entretenida y con une protagoniste más que especial se hace un huequecito.
Como siempre, la culpa de todo es del capitalismo. Incluso el del futuro.
short, fast-paced, funny. i too love muderbot. it's so endearing.
short, fast-paced, funny. i too love muderbot. it's so endearing.
Content warning Plot spoilers
One of the things I like about recent sf is that it doesn’t feel the need to adhere to the old tropes. The protagonist’s secret comes out, and unlike in old sf where there would have been hand-wringing and ostracism, the allies accept the new information, accept the protagonist, and the story moves on. Old sf would definitely have killed off one of the protagonist’s group for shock value, but that isn’t a given nowadays. Old sf likes to explore the axis of the powerful against the underdog, but now the force driving the story is bureaucracy, opportunism, and selfishness. I like this first Murderbot story because it (the story, but also Murderbot) is relatable.
Murderbot has hacked himself out of main control.
The idea of an android, part bot with lingering organics, gives rise to ideas of a machine that sometimes feels human, a very introverted and relatable human; with its increasing independency situations develop more unexpectedly than what I anticipated, and that kept me reading the whole book almost in one sitting.
The secondary characters add enough depth to the story and help the development of Murderbot throughout it, queer characters are also a welcomed presence.
It was a very fun and fast read 😁
It’s rare to find a compelling sci-fi book that also has a hefty helping of humor and sarcasm baked into its tone. I will definitely be reading more of this series.
It’s rare to find a compelling sci-fi book that also has a hefty helping of humor and sarcasm baked into its tone. I will definitely be reading more of this series.
Fast paced plot. The AI is exactly not doing what it was built for (it's a security bot that calls itself a murderbot), it loves watching entertainment series on HBO or the like. The story is told from the point of view of the bot and the bot is really funny. It's not only the interactions with humans, it's often in between different thoughts and all, she puts in a new perspective that is funny.
Of course I want to point out that we all seem to love these bots that turn human, like with Ann Leckie etc. But we don't know if these books sound like real AIs, although we think they do and we love it. I love the difference between the bot and a human, or better, what the bot is thinking about an easy interaction with a human that we as humans never consciously think …
Fast paced plot. The AI is exactly not doing what it was built for (it's a security bot that calls itself a murderbot), it loves watching entertainment series on HBO or the like. The story is told from the point of view of the bot and the bot is really funny. It's not only the interactions with humans, it's often in between different thoughts and all, she puts in a new perspective that is funny.
Of course I want to point out that we all seem to love these bots that turn human, like with Ann Leckie etc. But we don't know if these books sound like real AIs, although we think they do and we love it. I love the difference between the bot and a human, or better, what the bot is thinking about an easy interaction with a human that we as humans never consciously think about. But I have no way of knowing if this makes this AI authentic, or if we just anthropomorphize what we think an AI should be thinking, you know?
Immediately off to buy the rest of the series. This is one of my personal favorite style of story, and Martha Wells does a brilliant job of it.
Sensible, rational sci-fi and a perspective that speaks to me. Top marks all around, and more please!
Immediately off to buy the rest of the series. This is one of my personal favorite style of story, and Martha Wells does a brilliant job of it.
Sensible, rational sci-fi and a perspective that speaks to me. Top marks all around, and more please!
From the plot alone, this novella would be a bit of perhaps cliche science fiction. What makes it both unique and compelling is that the story being told from the perspective of the "Murderbot" (hence The Murderbot Diaries), a cyborg generally treated by society as a piece of equipment.
Martha Wells's writing does a good job of showing Murderbot's personality, its particular anxieties, its relationships towards humans, and general attitudes towards life. Even if the plot is cliche, Murderbot as a character is the opposite.
From the plot alone, this novella would be a bit of perhaps cliche science fiction. What makes it both unique and compelling is that the story being told from the perspective of the "Murderbot" (hence The Murderbot Diaries), a cyborg generally treated by society as a piece of equipment.
Martha Wells's writing does a good job of showing Murderbot's personality, its particular anxieties, its relationships towards humans, and general attitudes towards life. Even if the plot is cliche, Murderbot as a character is the opposite.
A socially awkward, traumatized by PTSD, has executive dysfunction, and just wants to be free and watch entertainment streams ... Murderbot is very relatable.
