Blindsight is a hard science fiction novel by Canadian writer Peter Watts, published by Tor Books in 2006. It won the Seiun Award for best translated novel and was nominated for the Hugo Award for Best Novel, the John W. Campbell Memorial Award for Best Science Fiction Novel, and the Locus Award for Best Science Fiction Novel. The story follows a crew of astronauts sent out as the third wave, following two series of probes, to investigate a trans-Neptunian Kuiper belt comet dubbed "Burns-Caulfield" that has been found to be transmitting an unidentified radio signal to an as-yet unknown destination elsewhere in the Solar System, followed by their subsequent first contact. The novel explores themes of identity, consciousness, free will, artificial intelligence, neurology, and game theory as well as evolution and biology. Blindsight is available online under a Creative Commons license. Its sequel (or "sidequel"), Echopraxia, came out in 2014.
The ideas are compelling, and the inclusion of recreated vampires is a weird but interesting diversion. There's no emotional core though. In some ways that's by design - the primary narrative POV is of someone who's had significant, personality-destroying psychosurgery. I found myself asking why should I care about any of this throughout.
Content warning Mildly spoilery review, no details
I have only just encountered Watts's work. This book is a crashing tangle of ideas, drawing from evolutionary biology, to (most particularly) cognitive science and philosophy of mind of the late 1990s.
A ship, whose crew are all variously transhuman in diverse ways, are sent to communicate with first contact. The newcomers, however, are deeply mysterious, alien in the realest sense. The result a disorienting experience in which none of the available main characters are quite someone you can wholly empathise with, and we remain uncertain throughout of just what the encounter will involve for the crew or humanity generally.
My perception overall is this book, with its extensive references and sources section, is the kind of thing you might get if Michael Crichton wrote space opera (though perhaps more disciplined and sharper). It is jam packed with well executed ideas. Ultimately, I found it quite difficult to get through in parts simply because of just how utterly out of their depth everyone was, and how desperate and hopeless the contact mission would seem to be. I suspect this is indeed Watts's intent.
While it was nice to see the richness of the cognitive science being drawn on, my own theoretical commitments also mean that none of what is in play with regards to human cognition is really tenable though. That's a very niche complaint that most of the world won't have. A little more broadly is the easiness of the some of the evolutionary psychology though - some of which is I think a little problematic.
Overall, though, this is a very solid, well written space opera thriller, if a little grim.
This book has some interesting ideas, but I really struggled with following the storyline, but more, this felt like something from pre-1970s sci-fi, with all the white maleness that contained, and some of the 'slang', such as 'spaz' are just appalling. The book was published in 2006 and there is no excuse for including such offensive and abelist language. These things made it not a great read and I stopped half-way through.
