I like to read
Non-bookposting: @Tak@glitch.taks.garden
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“Come home.” Vera’s mother called and Vera obeyed. In spite of their long estrangement, in …
This is my third Sarah Gailey book, and every single time I finish one, I think "That woman has lived through some shit, I hope she's ok."
Just Like Home is a book about good and evil and belonging and terror and growing up and death and family, but not in the ways I expected.
Wealth. Power. Murder. Magic. Alex Stern is back and the Ivy League is going straight …
A satisfying continuation of the series, but whereas Ninth House was gritty, dark, contemporary supernatural fantasy, Hell Bent is verging into YA supernatural. Which is fine, but the gritty darkness was what I liked most about Ninth House.
Earth is failing. In a desperate bid to escape, the spaceship Enkidu and its captain, …
Content warning plot arc metaspoilers maybe? also for Nona the Ninth
This one took me on a very Nona the Ninth-like journey, from "I am following the plot and know what is going on" to "I am no longer following the plot, what the hell is going on" to "Wow, I did not see that coming"
When a young woman clears out her deceased grandmother’s home in rural North Carolina, she …
This is the best/worst book to have just gotten into when a bout of insomnia strikes, so you can lie reading in a dark, silent house while the level of creepiness steadily builds, and something outside makes a tok-tok-tok noise
Two years ago, Csorwe and Shuthmili defied the wizard Belthandros Sethennai and stole his gauntlets. …
This is one of those books I finished with a profound sigh and a feeling of loss
From T. Kingfisher, the award-winning author of The Twisted Ones, comes What Moves the Dead, …
I'm sure I read The Fall of the House of Usher at some point, but I didn't retain enough that I had any particular expectations for the direction of the plot, etc.
However, I did read Mexican Gothic relatively recently, so I spent a good deal of What Moves the Dead, once the overall shape of the story became apparent, nodding along and waiting for the characters to catch up - it gave me a chuckle to see the reference to Mexican Gothic in the author's note.
Great writing, an intriguing reimagination of the classic.
Arthur C. Clarke winner and Sunday Times bestseller Adrian Tchaikovsky's triumphant return to fantasy with …
There were a lot of scenes I loved, and the sequence in the beginning where the narrative is passed along a chain of serially coinciding characters is wonderful. When I read the reunion near the end, I literally exclaimed "Hahaha, yes!" As a whole, it felt a touch rambly, but I have no regrets. One area where Tchaikovsky excels is departing from (or maybe just ignoring?) genre tropes, and this is no exception.