Reviews and Comments

An adequate whodunit set in alternate contemporary Lisbon where a minority of people are gifted with telepathic or telekinetic powers.

There were some oddities - for example, the protagonist talks about the ambient temperature in every scene. I was expecting it to become a plot point, but apparently it's just there. The story revolves around two investigators doing their thing, but they're oddly timid - they're perfectly content with people just refusing to talk to them about the investigation, and they act like getting a warrant for some piece of evidence that all their other evidence points at is an impossible obstacle.

It was enjoyable despite these details, and I'll probably read the subsequent entries eventually.

A great fantasy novel revolving around a civil war in a small country, but focusing mainly on the experiences and interactions of the two main characters. I enjoyed the nuance around the different factions' and characters' motivations, as well as the fact that the protagonists were regular people in particular situations and not Chosen Ones. Apart from being in a different world, the fantasy treatment is very subtle and well-judged. I'm looking forward to finding out what the sequel has in store!

I nibbled my way through this one in tiny chunks, because it's bleak in the same very plausible way that made me walk away from black mirror.

I enjoyed that it focused on a different character than the first installment, which allowed the narrative to come from a different direction and give a new perspective on events. An intriguing (while bleak) look at transhumanism/posthumanism in a setting of unfettered capitalism.

Very novel take on the repercussions of a first contact scenario. It's also a rare instance of a story set in a military environment that doesn't revolve around fighting the war.

This is my third Sarah Gailey book, and every single time I finish one, I think "That woman has lived through some shit, I hope she's ok."

Just Like Home is a book about good and evil and belonging and terror and growing up and death and family, but not in the ways I expected.

I'm sure I read The Fall of the House of Usher at some point, but I didn't retain enough that I had any particular expectations for the direction of the plot, etc.

However, I did read Mexican Gothic relatively recently, so I spent a good deal of What Moves the Dead, once the overall shape of the story became apparent, nodding along and waiting for the characters to catch up - it gave me a chuckle to see the reference to Mexican Gothic in the author's note.

Great writing, an intriguing reimagination of the classic.

There were a lot of scenes I loved, and the sequence in the beginning where the narrative is passed along a chain of serially coinciding characters is wonderful. When I read the reunion near the end, I literally exclaimed "Hahaha, yes!" As a whole, it felt a touch rambly, but I have no regrets. One area where Tchaikovsky excels is departing from (or maybe just ignoring?) genre tropes, and this is no exception.