One of Time Magazine’s 100 Best Fantasy Books of All Time
“I have no doubt this will end up being the best fantasy debut of the year...I have absolutely no doubt that [Kuang’s] name will be up there with the likes of Robin Hobb and N.K. Jemisin.” -- Booknest
From #1 New York Times bestselling author of Babel and Yellowface, the brilliantly imaginative debut of R.F. Kuang: an epic historical military fantasy, inspired by the bloody history of China’s twentieth century and filled with treachery and magic, in the tradition of Ken Liu’s Grace of Kings and N.K. Jemisin’s Inheritance Trilogy.
When Rin aced the Keju—the Empire-wide test to find the most talented youth to learn at the Academies—it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be …
One of Time Magazine’s 100 Best Fantasy Books of All Time
“I have no doubt this will end up being the best fantasy debut of the year...I have absolutely no doubt that [Kuang’s] name will be up there with the likes of Robin Hobb and N.K. Jemisin.” -- Booknest
From #1 New York Times bestselling author of Babel and Yellowface, the brilliantly imaginative debut of R.F. Kuang: an epic historical military fantasy, inspired by the bloody history of China’s twentieth century and filled with treachery and magic, in the tradition of Ken Liu’s Grace of Kings and N.K. Jemisin’s Inheritance Trilogy.
When Rin aced the Keju—the Empire-wide test to find the most talented youth to learn at the Academies—it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard—the most elite military school in Nikan—was even more surprising.
But surprises aren’t always good.
Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power—an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive—and that mastering control over those powers could mean more than just surviving school.
For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away . . .
Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity . . . and that it may already be too late.
Engaging military fantasy grounded in Chinese history
4 stars
I enjoyed this book very much, both for its approach to fantasy through Chinese (rather than European) culture and for its basis in real-world history. The last third of this book is filled with the graphic horrors of fascists at war, so I wouldn't recommend this for young readers. (Thinking of my niece, who loves to read.) I particularly like the end of the book, because in the end our hero commits an act of fascist evil herself, and we are forced to think about things like the nature of justice, the cost of vengeance, and the dangers of power. Looking forward to jumping into The Dragon Republic!
Goodness gracious, what a read. Let me start by saying that overall, I enjoyed this book. I thought it was a really strong entry into the trilogy as well as a very good story in and of itself. However what stood out to me the most was its very unique structure. Many aspects of this book were solidly YA. The characters were written very YA, the relationships were extremely YA, and the story beats (girl has to prove herself to get into school against all odds, girl has to prove herself at school against all odds, girl has to prove herself in battle against all odds, etc.) This was most prominent in the first third of the book, to the extent that I was convinced that the book had been mislabeled as 'Adult fantasy'. And it was these aspects of the book that were my least favorite. I felt that …
Goodness gracious, what a read. Let me start by saying that overall, I enjoyed this book. I thought it was a really strong entry into the trilogy as well as a very good story in and of itself. However what stood out to me the most was its very unique structure. Many aspects of this book were solidly YA. The characters were written very YA, the relationships were extremely YA, and the story beats (girl has to prove herself to get into school against all odds, girl has to prove herself at school against all odds, girl has to prove herself in battle against all odds, etc.) This was most prominent in the first third of the book, to the extent that I was convinced that the book had been mislabeled as 'Adult fantasy'. And it was these aspects of the book that were my least favorite. I felt that the characters were fairly flat and the story beats were predictable.
But in the last 2/3rds of the book (mainly the last third) the story took a HEAVY dark turn. I mean a near genre shift to hard grimdark. I really commend the author for her incredibly gritty and realistic depiction of the horrors of war because this was extremely brutal. The lighthearted cast of kid characters we grew to know were put through horrific, cruel encounters and completely traumatized, if not graphically slaughtered outright. The main character's "chosen girl" qualities were quickly overshadowed by her poor childlike decisions. But this was not frustrating because she is literally a child making decisions one would expect a child to make. Again, the author expertly crafted a realistic narrative for how children would act in traumatic circumstances. While I never felt that the characters met the level of 'well-developed' the decisions that they made did feel authentic.
The pacing of the story was okay, often times rapidly moving through story points in a few pages, other times lingering on details for just as long. I'd love to see improvements in character development and pacing in the subsequent books, but I'm really excited to continue this story.
