Things Fall Apart - Outside of a Dog

No cover — Chinua Achebe: Things Fall Apart (1962, Pearson Education Limited)

Published Jan. 8, 1962 by Pearson Education Limited.

ISBN:: 978-978-043-504-2

Things Fall Apart is the debut novel by Nigerian author Chinua Achebe, first published in 1958. It depicts pre-colonial life in the southeastern part of Nigeria and the arrival of Europeans during the late 19th century. It is seen as the archetypal modern African novel in English, and one of the first to receive global critical acclaim. It is a staple book in schools throughout Africa and is widely read and studied in English-speaking countries around the world. The novel was first published in the UK in 1962 by William Heinemann Ltd, and became the first work published in Heinemann's African Writers Series.

The novel follows the life of Okonkwo, an Igbo ("Ibo" in the novel) man and local wrestling champion in the fictional Nigerian clan of Umuofia. The work is split into three parts, with the first describing his family, personal history, and the customs and society of …

Things Fall Apart is the debut novel by Nigerian author Chinua Achebe, first published in 1958. It depicts pre-colonial life in the southeastern part of Nigeria and the arrival of Europeans during the late 19th century. It is seen as the archetypal modern African novel in English, and one of the first to receive global critical acclaim. It is a staple book in schools throughout Africa and is widely read and studied in English-speaking countries around the world. The novel was first published in the UK in 1962 by William Heinemann Ltd, and became the first work published in Heinemann's African Writers Series.

The novel follows the life of Okonkwo, an Igbo ("Ibo" in the novel) man and local wrestling champion in the fictional Nigerian clan of Umuofia. The work is split into three parts, with the first describing his family, personal history, and the customs and society of the Igbo, and the second and third sections introducing the influence of European colonialism and Christian missionaries on Okonkwo, his family, and the wider Igbo community.

Things Fall Apart was followed by a sequel, No Longer at Ease (1960), originally written as the second part of a larger work along with Arrow of God (1964). Achebe states that his two later novels A Man of the People (1966) and Anthills of the Savannah (1987), while not featuring Okonkwo's descendants, are spiritual successors to the previous novels in chronicling African history.

Contained in: African Trilogy

33 editions

yanez reviewed Things Fall Apart by Chinua Achebe (Heinemann African Writers Series; Red Classics)

Things do fall apart indeed - a great book and a great, sorrowful story

No rating

This is great African literature, and it's great literature.

It's an adventure book, to me, that punches you in the stomach. And if you don't feel the punch, it just means that you're not able to read.

This book called me from the bookstore shelf a few times in the last months. It's the huge bookstore in Roma Termini train station, and the copy I finally bought last week was always the same one. I did not know this author, nor I heard about this book. I'm sure many will read this as a piece of "african literature", and even if it is, I believe it is foolishness to treat it as such, just like it feels strange when I hear talk about the Divine Comedy as a "european masterpiece". It's a great book, with a great, sorrowful story, full of people and lives.

This is great African literature, and it's great literature.

It's an adventure book, to me, that punches you in the stomach. And if you don't feel the punch, it just means that you're not able to read.

This book called me from the bookstore shelf a few times in the last months. It's the huge bookstore in Roma Termini train station, and the copy I finally bought last week was always the same one. I did not know this author, nor I heard about this book. I'm sure many will read this as a piece of "african literature", and even if it is, I believe it is foolishness to treat it as such, just like it feels strange when I hear talk about the Divine Comedy as a "european masterpiece". It's a great book, with a great, sorrowful story, full of people and lives.

el dang reviewed Things Fall Apart by Chinua Achebe (Heinemann African Writers Series; Red Classics)

Review of 'Things Fall Apart' on 'GoodReads'

4 stars

Wow. For the first half of this book I thought it a bit artless and frustrating, but it turns into a very much cleverer and more subtle work than I had been expecting. Ultimately the book is utterly damning about colonialism without ever romanticising what came before it.

I feel weird tagging "spoilers" about a book the outlines of which are pretty well known, and the plot of which is basically described in the publisher blurb, but in spite of all that there were some surprises as I went, so here goes:

First of all, there is one thing that annoyed me intensely through the entire book: the complete lack of any development of female characters or voices. I can imagine a defence of that in terms of the book describing two intensely patriarchal cultures and their meeting, but I'm still digesting Achebe's critique of Conrad. One of his more …

Wow. For the first half of this book I thought it a bit artless and frustrating, but it turns into a very much cleverer and more subtle work than I had been expecting. Ultimately the book is utterly damning about colonialism without ever romanticising what came before it.

I feel weird tagging "spoilers" about a book the outlines of which are pretty well known, and the plot of which is basically described in the publisher blurb, but in spite of all that there were some surprises as I went, so here goes:

First of all, there is one thing that annoyed me intensely through the entire book: the complete lack of any development of female characters or voices. I can imagine a defence of that in terms of the book describing two intensely patriarchal cultures and their meeting, but I'm still digesting Achebe's critique of Conrad. One of his more on-point criticisms is that Conrad writes about colonialism in Africa without ever giving a single African character a real voice - it's fair, but then it rankles to see Achebe do exactly the same thing to women, especially in a book that's partly about brutal patriarchy.

The first part of the book, describing the traditional society that existed before colonisation, is an interesting mixture of pastoral and horrifying. It's not hard to see how people would value what they had, and find its disruption by outside forces intensely painful, but there's also plenty about it that is terrible. Not only the status of women (property whose only apparent chance at any agency at all is by cheating on the husband they didn't necessarily get to choose), but murder of twins, mutilation of sick childrens' corpses, and casting out of men who don't fit a very specific mould. At first I was frustrated by Achebe's stalwart refusal to allow a hint of judgement on any of this; by the end I saw it as a real strength of his writing.

Once things do start to fall apart, I came to appreciate that by keeping any editorialising out of the way, Achebe was able to let his characters and story say all that needed to be said about their own society. The real genius of the book is in its dissection of how weaknesses in the existing culture allowed missionaries to make inroads, how effectively the missionaries manipulated this (often without seeming to understand what they were doing), and yet how disastrous this all was for the people it happened to in spite of the completely unvarnished portrayal of what they had before.