Things Fall Apart - Outside of a Dog

mass market paperback, 192 pages

English language

Published Jan. 8, 1959 by Fawcett Publications.

First published in England in 1958, THINGS FALL APART is Chinua Achebe's first and most famous novel, a classic of modern African writing. It is the story of a "strong" man whose life is dominated by fear and anger, a powerful and moving narrative that critics have compared with classic Greek tragedy. Written with remarkable economy and subtle irony, it is uniquely and richly African and at the same time reveals Achebe's keen awareness of the human quali- ties common to men of all times and all places.

THINGS FALL APART is no less successful as a social document, dramatizing traditional Ibo life in its first encounter with colonialism and Christianity at the turn of this century. Set in an Ibo village in what is now Biafra, the novel vividly re-creates pre- Christian tribal life and shows how the coming of the white man led to the breaking up …

First published in England in 1958, THINGS FALL APART is Chinua Achebe's first and most famous novel, a classic of modern African writing. It is the story of a "strong" man whose life is dominated by fear and anger, a powerful and moving narrative that critics have compared with classic Greek tragedy. Written with remarkable economy and subtle irony, it is uniquely and richly African and at the same time reveals Achebe's keen awareness of the human quali- ties common to men of all times and all places.

THINGS FALL APART is no less successful as a social document, dramatizing traditional Ibo life in its first encounter with colonialism and Christianity at the turn of this century. Set in an Ibo village in what is now Biafra, the novel vividly re-creates pre- Christian tribal life and shows how the coming of the white man led to the breaking up of the old ways. --back cover

33 editions

el dang reviewed Things Fall Apart by Chinua Achebe (Heinemann African Writers Series; Red Classics)

Review of 'Things Fall Apart' on 'GoodReads'

4 stars

Wow. For the first half of this book I thought it a bit artless and frustrating, but it turns into a very much cleverer and more subtle work than I had been expecting. Ultimately the book is utterly damning about colonialism without ever romanticising what came before it.

I feel weird tagging "spoilers" about a book the outlines of which are pretty well known, and the plot of which is basically described in the publisher blurb, but in spite of all that there were some surprises as I went, so here goes:

First of all, there is one thing that annoyed me intensely through the entire book: the complete lack of any development of female characters or voices. I can imagine a defence of that in terms of the book describing two intensely patriarchal cultures and their meeting, but I'm still digesting Achebe's critique of Conrad. One of his more …

Wow. For the first half of this book I thought it a bit artless and frustrating, but it turns into a very much cleverer and more subtle work than I had been expecting. Ultimately the book is utterly damning about colonialism without ever romanticising what came before it.

I feel weird tagging "spoilers" about a book the outlines of which are pretty well known, and the plot of which is basically described in the publisher blurb, but in spite of all that there were some surprises as I went, so here goes:

First of all, there is one thing that annoyed me intensely through the entire book: the complete lack of any development of female characters or voices. I can imagine a defence of that in terms of the book describing two intensely patriarchal cultures and their meeting, but I'm still digesting Achebe's critique of Conrad. One of his more on-point criticisms is that Conrad writes about colonialism in Africa without ever giving a single African character a real voice - it's fair, but then it rankles to see Achebe do exactly the same thing to women, especially in a book that's partly about brutal patriarchy.

The first part of the book, describing the traditional society that existed before colonisation, is an interesting mixture of pastoral and horrifying. It's not hard to see how people would value what they had, and find its disruption by outside forces intensely painful, but there's also plenty about it that is terrible. Not only the status of women (property whose only apparent chance at any agency at all is by cheating on the husband they didn't necessarily get to choose), but murder of twins, mutilation of sick childrens' corpses, and casting out of men who don't fit a very specific mould. At first I was frustrated by Achebe's stalwart refusal to allow a hint of judgement on any of this; by the end I saw it as a real strength of his writing.

Once things do start to fall apart, I came to appreciate that by keeping any editorialising out of the way, Achebe was able to let his characters and story say all that needed to be said about their own society. The real genius of the book is in its dissection of how weaknesses in the existing culture allowed missionaries to make inroads, how effectively the missionaries manipulated this (often without seeming to understand what they were doing), and yet how disastrous this all was for the people it happened to in spite of the completely unvarnished portrayal of what they had before.