The Vegetarian - Outside of a Dog

Paperback, 183 pages

English language

Published Sept. 10, 2018 by Granta Publications.

ISBN:: 978-1-84627-603-3

Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more 'plant-like' existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye's decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide and hospitalisation. She unknowingly captivates her sister's husband, a video artist. She becomes the focus of his increasingly erotic and unhinged artworks, while spiralling further and further into her fantasies of abandoning her fleshly prison and becoming - impossibly, ecstatically - a tree.

Fraught, disturbing and beautiful, The Vegetarian …

Yeong-hye and her husband are ordinary people. He is an office worker with moderate ambitions and mild manners; she is an uninspired but dutiful wife. The acceptable flatline of their marriage is interrupted when Yeong-hye, seeking a more 'plant-like' existence, decides to become a vegetarian, prompted by grotesque recurring nightmares. In South Korea, where vegetarianism is almost unheard-of and societal mores are strictly obeyed, Yeong-hye's decision is a shocking act of subversion. Her passive rebellion manifests in ever more bizarre and frightening forms, leading her bland husband to self-justified acts of sexual sadism. His cruelties drive her towards attempted suicide and hospitalisation. She unknowingly captivates her sister's husband, a video artist. She becomes the focus of his increasingly erotic and unhinged artworks, while spiralling further and further into her fantasies of abandoning her fleshly prison and becoming - impossibly, ecstatically - a tree.

Fraught, disturbing and beautiful, The Vegetarian is a novel about modern day South Korea, but also a novel about shame, desire and our faltering attempts to understand others, from one imprisoned body to another.

2 editions

Fionnáin reviewed The Vegetarian by Kang Han (duplicate)

A tough novel about social norms

4 stars

With The Vegetarian I have now read four of Han Kang's five novels that have been translated into English. I adore her prose and artistic storytelling. This is her most famous novel, a story of Yeong-hye, a woman who becomes vegetarian and then makes a series of choices that give her other forms of agency, as the people around her become more and more aghast at these simple acts of refusal. Pointedly, the protagonist never gets to tell her side of the story. Her actions are told through three observers: her pathetic, patriarchal husband, her sister's artist husband, and her caring and diligent sister. Each observes her changing over time.

The first story is very difficult – her husband is an atrocious, weak and pathetic character who only married so he could dominate another human, and he is revolted by her small acts of refusal. The second is more …

With The Vegetarian I have now read four of Han Kang's five novels that have been translated into English. I adore her prose and artistic storytelling. This is her most famous novel, a story of Yeong-hye, a woman who becomes vegetarian and then makes a series of choices that give her other forms of agency, as the people around her become more and more aghast at these simple acts of refusal. Pointedly, the protagonist never gets to tell her side of the story. Her actions are told through three observers: her pathetic, patriarchal husband, her sister's artist husband, and her caring and diligent sister. Each observes her changing over time.

The first story is very difficult – her husband is an atrocious, weak and pathetic character who only married so he could dominate another human, and he is revolted by her small acts of refusal. The second is more mystical, and opens up fascinating questions about consent – Yeong-hye, despite being perceived as mentally incapable, still displays agency at key moments. Her mental capacity is judged more by those around her than by her – she seems perfectly comfortable with her decisions and her body. The third story, from her sister's perspective, is the best of the book. Here these questions of consent come to a head, and they are dealt with in heartbreaking fluidity by a text that seems to slip forward and backward in time.

Wonderful writing, but a very hard story and compared to her other novels it is maybe a little less refined, if still very powerful.