Reviews and Comments

Toned down a bit from Diablo Mesa, but still when I take a step back and think about it, very dramatic and I want to say florid except that the writing style remains functional. Being a little more down to earth, the author's note at the end explaining this novel as having been adapted from a true story, for which their movie deal fell through, made sense to me.

I found the reference to their own work in the "underappreciated" Ice Limit IV: Wormstorm cute. Along with reference to a few classic science fiction authors that made clear to me that yes, these are indeed meant as pulpy science fiction thrillers, not constrained to the mundane.

Also appreciated that the Corrie Swanson/Homer Watts relationship thread was resolved into "yes" (and again hoping we don't see forced conflict between them in the future, but I don't expect it), as well as Agent Sharp as Corrie's new mentor. I'm hoping we get at least one more book with him as her mentor before she graduates from probation. I am also feeling like I made a good choice starting with this spin-off series instead of going direct to the main Pendergast series (who I'll note hasn't felt the need to step in for the epilogue and tie things into a bow since The Scorpion's Tail), as we get to see Corrie Swanson learn what it is like to be an FBI agent as she experiences her own first cases. I can carry that perspective back into the older series later and see how it does or does not resonate with this.

Still not a fan that we tend to get the story all the way up to a dramatic confrontation, and then once the confrontation is dealt with we get something like an epilogue summary of what was later confirmed or discovered in the fallout to the case. I realise there isn't as much tension nor drama to be had in these, and it would probably sap a lot of momentum out of the books, but I am interested in that sort of careful forensic sifting through clues to bring the true story into focus.

But they are fun and fast reads. At the time I write this there remains one more in the series published, and I'm sure it won't take me too many more days to get through it.

This book did not go how I was expecting it to go. I had told others that Preston & Child thrillers had a reputation for getting a bit extravagant in their development and resolutions, but apparently I hadn't really believed it.

Which made this one more entertaining for me, I think. I spent about ⅔ of Diablo Mesa expecting it to be much like the atomic mystery of The Scorpion's Tail, and wondering just how the clues uncovered would be explained as having given a misleading impression. But, no, it went way out there. More-so than if Old Bones had featured the cannibal cults and ghosts that I had initially been expecting.

Having been lulled into a false sense of security after the first two books in the series featured more ordinary treasure hunts and conspiracies, I am curious to see how the next couple will follow on from this one. Do we return to normalcy, or will it become (somehow) still more extravagant?

The writing is fast and functional, but I am entertained and mostly getting what I want out of these.

P.S. Corrie Swanson's prospective romance did make a reappearance here, but it seems we are taking a slow path on whether that goes anywhere. Nora Kelly, however, moves much faster. I was not expecting that one.

My strategy of explaining this book to people by asking if they remember the 1997 movie "Relic" was perhaps doomed to failure. Especially since Old Bones is actually the beginning of a spin-off series featuring a couple of side characters from Preston & Child's main series, Dr Nora Kelly and Special Agent Corrie Swanson (who apparently didn't know they were both spun off of the same series until Pendergast made a cameo appearance at the end to solve a bonus mystery for them). Maybe someday I will go back and read his books too.

Anyway, Old Bones. I was looking for a fast-reading thriller that wasn't afraid to go high stakes and maybe include a touch of the supernatural or the monstrous. On that I was mostly satisfied, albeit the resolution seemed a little abrupt. Which is a complaint I've had a lot about mysteries, so I wonder if there is something specific I am looking for and not getting. Hopefully not a villain running a deathtrap or an extended climactic battle scene; I'd like to think that isn't my scene. Shall have to think on that more.

One disappointment (I think? still evaluating that as a stylistic choice) is that heroes and villains can largely be identified through their likeability. Am reading the subsequent volumes with this in mind to see how well that holds up as a trend.

But overall, exactly what I wanted from this novel. So, I'm satisfied.

A very quick read. This felt like a bridging volume, transitioning the series from the previous loose trilogy of Cormac solving mysteries in the face of police corruption, to whatever comes next. Which appears to be a supporting cast change and handling internal corruption and misconduct investigations among the garda. Of course, the focus on stopping bad cops serves to reinforce the notion that there are good ones, but you can't really get away from that in this genre.

As with the last few in the series I enjoyed the careful investigative work, but there didn't seem to be much of that before we came to a rapid and convenient conclusion.

This one was slow going. Interesting though. Roughly the first half is a biogeographical history of Europe from dinosaurs on Hateg Island where the European landmass would later be, and the second half is a closer look at the last 400,000 years since hominids arrived in the area. It felt almost like reading two different yet closely related books. Fascinating and very much inspiring me to think about deep (but not too deep) time, especially the tens of thousands of years humans lived in Europe before they started building cities, and how closely in time we missed some of the most recently extinct species. Further back there were many species mentioned for which their closest modern relatives are as far afield as Australia, which surprised me.

If you are European, there is a chance you may feel othered by this book, although Flannery doesn't distance himself much from a European identity. He does however communicate a clear disdain for both Nazis and Romans (who, we hear repeatedly, failed to domesticate even a single animal!)

I was expecting this book to be a history of each of the featured games. Their origins, development of their rules and strategies of play, notable figures, that sort of thing. Instead it was mainly a history of artificial intelligence research devoted to "solving" each game.

Not what I was looking for. Interesting, but not as interesting as it might have been.

I wish I had thought to comment on this when I actually thought to read it.

Delightful, and we did get an answer to the proposal, so not strung along too long on that question. Not quite as much of the other characters as I had been hoping for. I thought Emily Wilde was going to learn a lesson about accepting help from others and not trying to do it all herself, but that hasn't happened yet. I was close on the resolution of the big mystery of the novel, but not close enough.

Looking forward to reading the third volume next month (September). Having a segment narrated by Wendell seems to be a once-per-book thing, so we will see if that continues in book 3, and how many of the secondary cast are returning, and to what extent. I expected the third book to be the conclusion, but it seems there is at least another planned. Hopefully Fawcett won't be breaking them up for drama. The series has been mercifully free from the water of that well so far.

Felt like I was learning a lot about the various ecologies of Earth, and it was startlingly refreshing to read a book that scarcely mentions a single human name throughout. There were one or two—for example Darwin—but few and far between.

I don't know how much I will retain long term, but it is inspiring while it lasts. I had a copy of The Trials of Life as a child; there is one more book in Attenborough's trilogy that Life on Earth belongs to, but I don't know if I have read that one yet.

I guess this completes a loose trilogy and wraps up the overarching mystery of why the station is such a hostile environment to Our Hero Cormac Reilly.

Can't say I'm a fan of the narrative doing a complete exoneration of our other viewpoint character having shot and killed a guy on essentially a gut feeling in the first few chapters. But isn't that what we expect from cop novels?

In audio, since I couldn't find a print copy easily.

I feel like these books are going steadily downhill from the first volume. Less and less of the careful interviewing and checking of records that I enjoyed, and more dramatic turns and twists. Still, I'm not far into this one yet. Maybe it will surprise me.

Wasn't sure if I would like this novel. But it was a mystery mostly in a style that I like, and proved a page-turner. I appreciate the methodical step by step of interview and evidence, and how even a problem long-dormant might be traced. The ending got a bit dramatic but I am still going to read the next one.

Personally I think there was an entire murder in this one that Cormac overlooked. If not, then an anticlimax.

This was beautiful and painful and although I haven't read any of the other contenders I am sure it deserved the Booker Prize.

Strange to think this novel takes place in an overlapping time with the last story I read - Armistead Maupin's Tales of the City - and Maali escaping to San Francisco with his boyfriend where they might have been a passing figure, a sentence aside. But that was never going to happen. The story The Seven Moons of Maali Almeida most reminded me of was The Good Place, although they aren't especially like each other.

I feel like I am doing a disservice to this book to be talking only in relation to other titles. But I have waited half a month to mark it as finished because I couldn't think what to say that would do it justice. Read it, if you can.

I did not record exactly when I started reading this series, so I am going to call it 9 months for 9 novels. At the beginning it was a window to a marvellously unfamiliar and queer world, the San Francisco of the 1970s, half a world away and before AIDS was a name anyone knew.

After that, well. The coincidental twists and turns of the plotting may have stretched credibility. But the drama was delightful. And after spending so many pages and so many narrative years becoming familiar with these characters and their found ('logical', as Anna Madrigal would have it) family, I have grown rather fond of them. There are still tears in my eyes from the final pages.

I do not know yet if I will go on to read the subsequent post-post-final book "Mona of the Manor". But I suspect fate will toss it into my path sooner or later.