Seven Moons of Maali Almeida, The

The Seven Moons of Maali Almeida feels like familiar territory to readers of Neil Gaiman or Ben Aranovich. Maali Almeida is dead, and we follow him in his afterlife as he attempts to come to terms with his death and the influence that has on those around him. Less familiar to me as a reader from the UK, is the use of language and the politics of 1990s Sri Lanka. Sri Lanka is in utter termoil at this point, utterly corrupt and internally terrorized by governmental and terrorist organisations. Maali up until his death was playing all sides, and then in death is still attempting to effect change. Reflecting the contradictions in Sri Lanka is the country's approach to queer culture. Queer culture is opressed in Sri Lanka, but rife - in the novel almost acting as a underground counter-culture to the opression of the Sri-Lankan government.