The City of Brass

Although the premise is fascinating, the narrative gets bogged down in a rather arbitrary (and massively age-gapped) romance, as well as some extremely inconsistent characterization for the protagonist. One minute, she's a bold and daring street hustler, the next she's suddenly gullible and helpless, and the next she is inexplicably head-over-heals for a man she hardly knows.

I had really high hopes for this book, but was ultimately pretty disappointed. It feels like there is a really good book in here, but a few darlings needed to be killed (like that romance), and the characterizations needed to be cleaned up.

That said, the world building is pretty interesting, and it kept me reading to the end.

Having finished the series, I felt I was time to add a review. On the occasion I find myself interested in someone's take on an entire series before I commit, I'm often disappointed to not find a condensed review, so I though I'd try and provide that in the hope it helps someone.

I came to the series wanting more from the author, having finished The Adventures of Amina al-Sirafi. I was drawn to the strong female and queer representation in a time and place where this is uncommon.

This series was a rollercoaster, I went from hating it to loving it almost as much as I cycled between those feelings for every main character. It took me a long time to realize how masterful the writing was to be able to add such nuance to the characters, their flaws and virtues filling a vessel that is far more than the sum of its parts. It takes a complex web of political intrigue and injects compassion into the brutal reality and it brings light to those that suffer most from the squabbles of the powerful. There is no true villain or hero to this story, just people on various stages of their life's path, trying to dig themselves out from the oppressive weight of their positions, the social expectations, and their ancestral legacy.

The pacing was questionable based on my own preferences at times, yet with the context of the whole I think it was satisfying. The lulls served as vignettes to deepen and enrich the characters and the world. It provided a sense of place that would have been lost in a high octane page turner. Even the companion stories in the fourth book add significant depth, though many of them are skippable if the main books weren't a hit for you. The main exceptions being by the alternate prologue and last story of the collection, which I vastly preferred over the prologue in the final book.

I recommend the whole series to those that like fantasy mixed with political intrigue, especially with a strong female voice.

This is kind of two books, of which the first half was fun but frustrating, and the second half generally better.

In the first half, we're introduced to two main characters in separate worlds. Nahri the orphan who has some strange powers and turns out to be at least partly Djinn-descended, possibly the last survivor of an important dynasty. And Ali a prince in a brutal dynasty that murdered most of Nahri's ancestors, and who is determined to do something about the cruelty. Nahri has to flee her old life for Ali's city. The writing is clunky at times, Ali's a little too good, and it's too obvious that Nahri's flight will succeed, so the epic battle with every kind of magical demon feels more farcical than exciting. But the book's great strength is that this "conclusion" is only halfway through it.

What made the second half work better for me is that Nahri's arrival is such a complicating event in everyone's life, most definitely including her own. Ali ends up thoroughly compromised in ways that make him a much more believable character, and the interwoven strands of everyone lying to and scheming around each other get much more interesting. And I think Chakraborty just took a while to hit her stride as a writer, which makes sense given that this was her first book and not originally written with publication in mind.

At the end I was still a little frustrated. The hooks for the sequel are slightly too obvious and undermine the completeness of this (already long) book, and there are a few too many deus ex machina. But considering how much better the book got as it went along, I am excited about the sequel.